Founded in 1987, Season of Concern Chicago is dedicated to providing financial assistance to Chicagoland theater practitioners, both Equity and Non-Equity, impacted by illness, injury or circumstance that prevents them from working. We provide short-term emergency financial assistance to theater practitioners through our own Biscotto-Miller Fund and Malcolm Ewen Emergency Fund.
Originally formed to assist those afflicted with AIDS-related illnesses, Season of Concern continues to support over 25 Chicago-based direct care HIV/AIDS organizations and has expanded its mission and support to meet the greater health needs of the Chicagoland theater community. Season of Concern relies on fundraising and donations to complete its mission. To date, we have distributed more than $3 million to those in need.
Founded at the height of the AIDS Epidemic, Season of Concern was created to support members of the Chicago Theater Community, union and non-union, who were diagnosed with HIV/AIDS. Over the years, Season of Concern has expanded to help local theatre artists unable to work due to incapacitating illness or injury. Most recently, when the COVID epidemic severely affected our theater community, the Malcolm Ewen Fund was established to financially help those in emergency situations.
All funds raised by Season of Concern (primarily through events, individual contributions, and live audience collections) are used locally to support Chicago-area theatre artists and practitioners. This support is provided through direct grants from the Biscotto Miller or Malcom Ewen Funds, grants to local organizations serving individuals living with HIV/AIDS, and via an annual grant to the Entertainment Community Fund.
Through Season of Concern’s grant to the Entertainment Community Fund (a national organization and formerly known as the Actors’ Fund), Season of Concern has access to shared office space in Chicago, to a social worker assigned to the Chicago area, a career counselor, and many other Entertainment Community resources and social services provided to the Chicago theater community, including resources for mental health issues
May 11, 2023
You are hurting. Season of Concern is here for you.
As we struggle to comprehend the events of the past weeks, and share the anger and uncertainty that continues to emerge, Season of Concern stands firmly in solidarity with people in our community, city, and country who every day face violence, hatred and discrimination–simply for being who they are. As we begin to move forward to erase the bigotry that has infected our society, we ask that you reach out to offer your support to these community allies, each of whom continue to work on the front lines offering help and support to those who need it:
Christopher Pazdernik (any) is a Jeff Award winning director and producer who has been active in Chicago theatre since 2007. Described as having “a near encyclopedic knowledge of musicals,” they were recently named to NewCity Stage’s Players 2024: The Fifty People Who Really Perform for Chicago. In addition to their creative pursuits, Christopher has held staff positions at Chicago Shakespeare Theater, Porchlight Music Theatre, Refuge Theatre Project, and most recently, Producing Director at Theo Ubique Cabaret Theater. An openly HIV+ artist, Christopher is also active in AIDS advocacy work, producing the annual benefit concert ‘Belting for Life,’ leading a team at AIDS Run/Walk Chicago, and volunteering on committees with both AIDS Foundation Chicago and Howard Brown Health. He is thrilled to continue his support of Chicagoland theater workers at Season of Concern.
Contact:
chris@seasonofconcern.org
312-332-0518
Season of Concern Chicago
8 South Michigan Avenue, Suite 2700
Chicago, IL 60603
Daryl D. Brooks is a Chicago based Director, Writer and producer. Daryl has been with the Black Ensemble Theater for over 20 years and is currently the Producing Managing Director. His musical revue, You Can’t Fake the Funk: A Journey Through Funk Music, premiered at Black Ensemble Theater and earned him an African American Arts Award, Black Theater Alliance Award, and the Joseph Jefferson Award for Best Musical/Revue. His production Men of Soul also received multiple awards and nominations including the Chicago BroadwayWorld nomination for Best Director for a Musical/Revue, a Jeff Award Nomination for Best Director of a Review, and was selected for production at The National Black Theater Festival. He has directed over fifty productions and some credits include; Black Pearl: A Tribute to Josephine Baker, Women of Soul, Time Machine: A Tribute to the 80’s, HITT Records (Black Ensemble Theatre), Memphis!, Pump Boys and Dinettes (Porchlight Musical Theatre), Million Dollar Quartet (Theatre At the Center), Akeelah and the Bee and Fast Food Chain (Adventure Stage and Northwestern Settlement) Color Purple, Dreamgirls (Phoenix Theater Company) Assassins (Theo Ubique) Sunday In The Park With George, Pippin! (Columbia College Chicago) and many, many more! Daryl is a proud member of the Sarah Siddons Artistic Council. In 2019 Daryl received the Chicago Defender’s Men of Excellence Award for building diversity and equity within the Chicago theater community. He was also named one of New City Stages 50 Players in Chicago in 2022 and 2024. His most important role to date is being a father to his wonderful, TikTok loving daughter Maya!
Melissa Carsten is Senior Vice President Operations & Administration for PTG Consulting, a division of Preferred Travel Group. In her role, she is also Preferred’s Ambassador for the GIFTTS Program (Great Initiatives for Today’s (Tomorrow’s) Society), created to inspire members of the global hospitality industry to foster a commitment to philanthropy, community, sustainability and education. Season of Concern is the perfect marriage of Carsten’s love of theater and her desire to inspire and drive altruistic efforts within the local community.
David Fink started his career in manufacturing at Allied Metal Company in Chicago. He worked in sales, as the company treasurer, and finally served as president. In 2003, along with a partner, David opened The Acorn Theater in Three Oaks, Michigan. David booked the performance space for 12 years and finally sold it to a non-profit in 2022. David has served on the board of Harbor Arts (including serving as board president) for 24 years. He was also president of the board of The Poetry Center of Chicago and of Chicago Improv Productions (who produced the Chicago Improv Festival as well as other programs.) He has also served on the board of Big Questions (EMMY winning producer of documentaries.) and Friends of the Chicago River. David has served for many years as a community advisor to WNIT public television in South Bend. David also is co-founder, starting curator, and current Artistic Director of Outpsoken LGBTQ+ stories, which is being inducted into the Chicago LGBT Hall of Fame. David graduated from the University of Michigan with a liberal arts degree and holds a master’s degree in business from Northwestern. David is a lifelong lover of the arts.
Martin (Marty) Grochala is the Associate Director of Development/Senior Director of Major and Planned Gifts at Goodman Theatre, where he began his fundraising career in 1993. In 2004, Grochala joined Hubbard Street Dance Chicago as Director of Development. In 2010, he was recruited by The Chicago Academy for the Arts, an independent arts high school, as Director of Institutional Advancement. He has a B.A. in Theater/Dance from St. John’s University/College of St. Benedict (1983) and has completed the coursework for a Masters in Arts, Entertainment and Media Management from Columbia College Chicago. He has been a volunteer with the Arts and Business Council of Chicago, and has served on the boards of Dignity/Chicago and DignityUSA, the advocacy organization for LGBTQI Catholics. He sits on DignityUSA’s National Convention Committee and co-chaired the 2019 DUSA 50th Anniversary Conference in Chicago.
Charls Sedgwick Hall (Actor, Movement and Shakespeare Text Instructor, Director) is based in Chicago. Acting credits include performances as Touchstone in As You Like It, Trinculo in The Tempest, Gremio in The Taming of the Shrew with Thin Air Shakespeare; Boyet in Love’s Labour’s Lost, Recruting Officer in Mother Courage and Her Children, Charlie in The Complete Works of William Shakespeare (Abridged, Revised), Benvolio in Romeo and Juliet, A Comedy of Errors, Philostrate in A Midsummer Night’s Dream with Shakespeare and Company; Preacher/Ol’ Mister, Ensemble in The Color Purple (The Musical) Los Angeles Ovations Award winning production, Mirror in The Next Fairytale, Father in The Escape Artist’s Children, and Pops in Follow with Celebration Theatre; Ghost. Player King & Queen and Grave Digger in Hamlet, Feste in Twelfth Night, Leonato in Much Ado About Nothing with Southern California Shakespeare Festival. Directing credits include Other World Lover and Afrocentricities with MPAACT, OUTStories and The Red Train Café with Celebration Theatre. During his many years of performing and studying with Shakespeare and Company, Charls toured with the School’s Program, trained as a Movement teacher in the discipline of Trish Arnold teaching as a Guest Professor in Movement at the National Institute of Performing Arts in Sydney, Australia and Guest Artist performing in Angels of Lemnos and Guest Professor in Movement at Queensland University of Technology in Brisbane, Australia. Charls, a proud member of Actors’ Equity Association, SAG/AFTRA, holds an MFA from the NYU-School of the Performing Arts Graduate Acting Program, teaches and continues to study Black History, other Movement disciplines, as well as Shakespeare’s Text, Rhetoric and Sonnets.
Leavell Javon Johnson (Javon) is a versatile and dedicated professional with a strong foundation in education, theatre, and labor advocacy. Armed with a Master of Fine Arts from the University of Florida, Javon has honed his skills as an instructor, director, and union organizer, leaving a positive impact on each role.
After completing his graduate studies, Javon pursued his acting career on the East Coast, working at renowned theaters in Florida, Pennsylvania, New York, and New Jersey. His engagement with the Shakespeare Theatre of New Jersey provided him with invaluable experience both on stage and as a teaching artist. Javon’s work in Shakespeare helped him to cultivate young students’ communication skills and empower them to speak their minds.
In 2019, Javon relocated to Chicago and quickly secured a position at the Actors’ Equity Association. During his tenure, he has contributed to various departments, including Auditions, Contracts, Communications, and Organizing. His involvement in the Organizing department has been instrumental in securing significant contract wins for numerous Chicago-area theaters, including the newly organized Drunk Shakespeare.
Currently serving as the Director of Education and Member Value, Javon is committed to empowering members in their communities by expanding their union benefits and educating them about the advantages of joining a labor union. With Seasons of Concern’s strong ties within the Chicago theater community, Javon aims to leverage his passion, momentum, and energy to advance the organization’s initiatives.
Mark David Kaplan is the recipient of three Joseph Jefferson Awards for his work in Les Misérables, Ragtime and Forbidden Broadway, the latter with which he has toured internationally and performed off-Broadway. Other credits include The Mystery of Love and Sex (Writers Theatre), Mary Zimmerman’s Wonderful Town (Goodman), Little Shop of Horrors (American Blues), Hairspray (Syracuse Stage), Amadeus (Indiana Rep), We Three Lizas (About Face Theatre), The 25th Annual Putnam County Spelling Bee (James Lapine, dir.), Man of La Mancha (Montana Shakespeare in the Parks), and countless premieres with Chicago Shakespeare, Marriott and Skylight Theatres. Mark spent 5+ years in the National Tour of The Lion King. As a proud member of Actors’ Equity since 1986, Mark has served as a National Councilor in the union, and presently sits on the Central Regional Board.
Bridget McDonough was employed in arts management from 1978, when she graduated from Northwestern University, until her 2019 retirement as general manager of Music Theater Works, which she co-founded (as Light Opera Works) in 1980 with Philip Kraus and others. Prior to founding Light Opera Works she worked for The Organic Theater Company in Chicago, The Troupe in Colorado Springs and Actors Equity Association.
She has served on the boards of many arts and civic organizations both nationally and locally in the Chicago area. She is past president of the Rotary Club of Evanston and the North Shore International Network, where she still holds memberships. She served on the boards of the Evanston Convention and Visitors’ Bureau, Evanston Chamber of Commerce, Evanston Arts Alliance, National Alliance for Musical Theatre, Chicago Music Alliance, Around the Coyote, as well as the School of Communication Alumni Board at Northwestern University and the tourism committee of Chicago’s North Shore Convention and Visitors’ Bureau.
Ms. McDonough was honored by the Evanston YWCA with their “Women on the Move” Award in 1991 and by the Evanston Chamber of Commerce with their 2009 Public Service/Nonprofit Person of the Year Award. In 2024 she was presented the William H. Logan Jr. Legacy of Service Award by the Rotary Club of Evanston and the Joyce Ruth Saxon Award for Excellence by Music Theater Works.
She is currently on the board of the Musicians Club of Women and Season of Concern in Chicago, the Tubac Nature Center in Arizona, and Write 4 Art in Los Angeles. She is a member of the advisory board of the Rocky Mountain Ballet Theatre in Montana.
Bridget served as an international judge at the Second Vladimir Kurochkin International Competition of Young Artists of Operetta and Musicals in Yekaterinburg, Russia, and VIBE (Vienna International Ballet Experience) in Missoula, Montana. She currently is serving as an international juror for Ballet Beyond Borders.
Prior to her career in arts management, she studied dance and theater in Milwaukee and Chicago.
Bridget retired from Music Theater Works at the end of the 2019 season.
Doug MacKechnie, BS, MBA from Rensselaer Polytechnic Institute; MFA from The Theatre School at DePaul University. AEA Central Regional Board 2012-2020, AEA National Council 2020-present. 32 years in Chicagoland, now back home in Vermont. Season of Concern Marketing Chair and Board “Tech Guy”.
Joan Mazzonelli has produced, directed, and designed for the theater in Chicago, Los Angeles and New York City. She has written Border Crossing, a short play, with Marianne Kallen; the musicals Reasonable Terms with Marianne Kallen and Karena Mendoza; Bottom’s Dream with James L. Kurtz, an adaptation of All in the Laundry by Fred Rogers of Mr. Rogers Neighborhood; and the operas High Fidelity and The Proposal with Philip Seward. She has happily served in leadership roles with City Lit Theater, ShPIel Performing Identity, Griffin Theatre, Midwest New Musicals at Light Opera Works (now Music Theatre Works), Athenaeum Theatre, Theatre Building Chicago, New Tuners Theatre, Illinois Theatre Association, National Alliance for Musical Theatre, Chicago Dance and Music Alliance, Child’s Play Touring Theatre, League of Chicago Theatres, Season of Concern, On Stage Productions, Opera Shop at the Vineyard Theatre, and National Shakespeare Company. She is a member of the Dramatists Guild. She has taught as an adjunct instructor at Columbia College Chicago and lectured at DePaul University, Fordham University and Roosevelt University.
Marcelle McVay most recently was Head of the Theatre Management Program at The Theatre School of DePaul University. Prior to that, she worked with Victory Gardens Theater from its inception in 1974 as Business Manager, Development Director and Managing Director until her retirement in 2009. She grew the theater’s budget to the $3 million level and provided leadership during the $11.8 million capital campaign to purchase and renovate the Biograph Theater as the theater’s mainstage home. During her tenure and partnership with Artistic Director Dennis Zacek, Victory Gardens promoted diversity and inclusion among Chicago artists and audiences and produced over 150 world premieres. Awards include the Lifetime Achievement Award from The League of Chicago Theaters and, on behalf of Victory Gardens Theater, the 2001 Regional Theatre Tony Award which McVay, Zacek and Associate Artistic Director Sandy Shinner accepted, Actors’ Equity ‘s Rosetta Lenoire Award, the Columbia College Entrepreneurship Award and the Lawyers for the Creative Arts Distinguished Service to the Arts Award.
Jane Nicholl Sahlins Born and educated in the UK, she moved to New York in 1964, where she continued her work in TV with Granada TV, the BBC, and CBS News where she worked on both documentaries and 60 MINUTES. When she moved to Chicago, she continued to work with CBS News and 60 MINUTES. She also studied photography at Columbia College and the Art Institute. She became active in local theatre as a founding member of the Boards of Victory Gardens Theatre, Wisdom Bridge Theatre and the Academy Festival Theatre in Lake Forest.
In 1981 she produced and co-directed THE WOMEN at Columbia College and co-presented NICHOLAS NICKLEBY at the Blackstone Theatre. In 1984 she co-founded and was Executive Director of the International Theatre Festival of Chicago – an organization that produced five Festivals over a period of ten years and brought theatre companies from all over the world to Chicago.
She is the recipient of a special Joseph Jefferson Award, YMCA Outstanding Achievement Award, and in 2008 she was made a Living Landmark by Landmarks Illinois for her contribution to Chicago’s cultural life. She has served as a panelist for the Illinois Arts Council, a site evaluator and panelist for the National Endowment for the Arts, and a consultant to various small theatre companies. She currently serves on the Boards of the International Puppet Theatre and Season of Concern.
Steve Scott was for 30 years Producer of Goodman Theatre, where he is currently an Artistic Associate. During his 45-year career as a director Scott has staged hundreds of productions for theaters in Chicago (for Goodman, Northlight, Porchlight, The Lyric Opera Center and many others), regionally, nationally and internationally. He is the Chair of the Artistic Committee at Eclipse Theatre (where he has been an ensemble member for more than 20 years) and a member of Redtwist Theatre Company. His productions have received six Jeff nominations and an After Dark Award. For his contributions to the Chicago theater community Scott has received a special Jeff Award and the League of Chicago Theatre’s Lifetime Achievement Award. He has been a Season of Concern executive committee member for more than 15 years.
Leslie Shook worked as the theatre manager for The Theatre School from 1982 – 2018 and served as founding head of the BFA Theatre Management program in the Theatre Studies department from 1990-2010. She was responsible for front-of-house operations, educational outreach, subscriber services, access services, rental contracts, and developing audiences of more than 35,000 people at DePaul’s Merle Reskin Theatre each season for Chicago Playworks and The Theatre School Showcase Series. She was a member of the League of Chicago Theatres, where she chaired the Access Task Force, and is a member of Arts Alliance Illinois, Illinois Alliance for Arts Education, Theatre Communications Group, and DePaul University’s Faculty/Staff Scholarship Committee.
Leslie serves on the board of directors of Season of Concern, the Chicago theatre community’s fund for providing direct care for people living with AIDS and HIV and the Malcolm Ewen Emergency Fund, where she previously chaired the Board Governance Committee. She is on the Advisory Committee for DePaul’s Entrepreneurship Program in the Driehaus School of Business. She was on the leadership council for Bodies of Work, now part of the University of Illinois at Chicago, and the 2006 Chicago Festival of Disability Arts and Culture. In 2007, she was nominated for the Deaf Illinois Award as Best Hearing Advocate. Since 2002, she participated in National Disability Mentoring Day, an annual event sponsored by the City of Chicago Mayor’s Office for People with Disabilities. She has been a volunteer with the NAMES Project and served on the host committee for “Chefs and the City,” an annual benefit for Vital Bridges. In past years, she has served on the DePaul Advisory Board for Students with Disabilities, DART/DePaul University AIDS/HIV Resource Team, and Chicago International Film Festival Black Perspectives committee.
In March 2002, Leslie sponsored the first theatre management intensive trip to New York City for Theatre School students and continued this initiative in 2004 and in 2007. Leslie studies voice with Mark Elliott at The Theatre School and was a member of the DePaul University Community Chorus for four years.
Richard Turner retired after 13 years as Manager of Corporate Contributions for Peoples Gas and North Shore Gas. Previously he had been with Lyric Opera of Chicago and WTTW/Channel 11, The Chicago Community Trust, and with Funders Concerned About AIDS (where he was a founding member) as national executive director. He is past national president of the Communications Network in Philanthropy, and a former member of the NAMES Project AIDS Memorial Quilt national board. He is former board chair of Chicago Academy for the Arts and Center on Halsted, and served on the boards of Northwestern University Alumni Association, Human Rights Campaign, ACLU Illinois, Donors Forum of Chicago, Hubbard Street Dance Chicago and Dance for Life. He was a member of the inaugural class in the City of Chicago’s Gay and Lesbian Hall of Fame and was named Person of the Year by the Corporate Responsibility Group of Chicago. He is a graduate of Northwestern University and has a master’s degree from Arizona State University.