Founded in 1987, Season of Concern Chicago is dedicated to providing financial assistance to Chicagoland theater practitioners, both Equity and Non-Equity, impacted by illness, injury or circumstance that prevents them from working. We provide short-term emergency financial assistance to theater practitioners through our own Biscotto-Miller Fund and Malcolm Ewen Emergency Fund.
Originally formed to assist those afflicted with AIDS-related illnesses, Season of Concern continues to support over 25 Chicago-based direct care HIV/AIDS organizations and has expanded its mission and support to meet the greater health needs of the Chicagoland theater community. Season of Concern relies on fundraising and donations to complete its mission. To date, we have distributed more than $3 million to those in need.
Founded at the height of the AIDS Epidemic, Season of Concern was created to support members of the Chicago Theater Community, union and non-union, who were diagnosed with HIV/AIDS. Over the years, Season of Concern has expanded to help local theatre artists unable to work due to incapacitating illness or injury. Most recently, when the COVID epidemic severely affected our theater community, the Malcolm Ewen Fund was established to financially help those in emergency situations.
All funds raised by Season of Concern (primarily through events, individual contributions, and live audience collections) are used locally to support Chicago-area theatre artists and practitioners. This support is provided through direct grants from the Biscotto Miller or Malcom Ewen Funds, grants to local organizations serving individuals living with HIV/AIDS, and via an annual grant to the Entertainment Community Fund.
Through Season of Concern’s grant to the Entertainment Community Fund (a national organization and formerly known as the Actors’ Fund), Season of Concern has access to shared office space in Chicago, to a social worker assigned to the Chicago area, a career counselor, and many other Entertainment Community resources and social services provided to the Chicago theater community, including resources for mental health issues
May 11, 2023
You are hurting. Season of Concern is here for you.
As we struggle to comprehend the events of the past weeks, and share the anger and uncertainty that continues to emerge, Season of Concern stands firmly in solidarity with people in our community, city, and country who every day face violence, hatred and discrimination–simply for being who they are. As we begin to move forward to erase the bigotry that has infected our society, we ask that you reach out to offer your support to these community allies, each of whom continue to work on the front lines offering help and support to those who need it:
Michael Ryczek is the Managing Director of Season of Concern. He is proud to have been in the forefront of storefront theater in Chicago, having founded and was the Artistic Director of Reflections Theatre in the mid-1980s. He received his BA in Theatre from Roosevelt University and his Masters in Theatre from Northwestern University. He also served as the Managing Director of Lookingglass Theatre, the assistant to the CEO of the Auditorium Theatre and the Manager of Marketing for the Theatre Center at Northwestern University. He has taught directing and acting classes for Columbia College Chicago and continues to teach acting classes at College of DuPage.
Contact:
michael@seasonofconcern.org
312-332-0518
Season of Concern Chicago
8 South Michigan Avenue, Suite 2700
Chicago, IL 60603
Melissa Carsten is Vice President Operations & Administration for PTG Consulting, a division of Preferred Travel Group. In her role, she is also Preferred’s Ambassador for the GIFTTS Program (Great Initiatives for Today’s (Tomorrow’s) Society), created to inspire members of the global hospitality industry to foster a commitment to philanthropy, community, sustainability and education. Season of Concern is the perfect marriage of Carsten’s love of theater and her desire to inspire and drive altruistic efforts within the local community.
David Fink started his career in manufacturing at Allied Metal Company in Chicago. He worked in sales, as the company treasurer, and finally served as president. In 2003, along with a partner, David opened The Acorn Theater in Three Oaks, Michigan. David booked the performance space for 12 years and finally sold it to a non-profit in 2022. David has served on the board of Harbor Arts (including serving as board president) for 24 years. He was also president of the board of The Poetry Center of Chicago and of Chicago Improv Productions (who produced the Chicago Improv Festival as well as other programs.) He has also served on the board of Big Questions (EMMY winning producer of documentaries.) and Friends of the Chicago River. David has served for many years as a community advisor to WNIT public television in South Bend. David also is co-founder, starting curator, and current Artistic Director of Outpsoken LGBTQ+ stories, which is being inducted into the Chicago LGBT Hall of Fame. David graduated from the University of Michigan with a liberal arts degree and holds a master’s degree in business from Northwestern. David is a lifelong lover of the arts.
Martin (Marty) Grochala is the Associate Director of Development/Senior Director of Major and Planned Gifts at Goodman Theatre, where he began his fundraising career in 1993. In 2004, Grochala joined Hubbard Street Dance Chicago as Director of Development. In 2010, he was recruited by The Chicago Academy for the Arts, an independent arts high school, as Director of Institutional Advancement. He has a B.A. in Theater/Dance from St. John’s University/College of St. Benedict (1983) and has completed the coursework for a Masters in Arts, Entertainment and Media Management from Columbia College Chicago. He has been a volunteer with the Arts and Business Council of Chicago, and has served on the boards of Dignity/Chicago and DignityUSA, the advocacy organization for LGBTQI Catholics. He sits on DignityUSA’s National Convention Committee and co-chaired the 2019 DUSA 50th Anniversary Conference in Chicago.
Charls Sedgwick Hall (Actor, Movement and Shakespeare Text Instructor, Director) is based in Chicago. Acting credits include performances as Touchstone in As You Like It, Trinculo in The Tempest, Gremio in The Taming of the Shrew with Thin Air Shakespeare; Boyet in Love’s Labour’s Lost, Recruting Officer in Mother Courage and Her Children, Charlie in The Complete Works of William Shakespeare (Abridged, Revised), Benvolio in Romeo and Juliet, A Comedy of Errors, Philostrate in A Midsummer Night’s Dream with Shakespeare and Company; Preacher/Ol’ Mister, Ensemble in The Color Purple (The Musical) Los Angeles Ovations Award winning production, Mirror in The Next Fairytale, Father in The Escape Artist’s Children, and Pops in Follow with Celebration Theatre; Ghost. Player King & Queen and Grave Digger in Hamlet, Feste in Twelfth Night, Leonato in Much Ado About Nothing with Southern California Shakespeare Festival. Directing credits include Other World Lover and Afrocentricities with MPAACT, OUTStories and The Red Train Café with Celebration Theatre. During his many years of performing and studying with Shakespeare and Company, Charls toured with the School’s Program, trained as a Movement teacher in the discipline of Trish Arnold teaching as a Guest Professor in Movement at the National Institute of Performing Arts in Sydney, Australia and Guest Artist performing in Angels of Lemnos and Guest Professor in Movement at Queensland University of Technology in Brisbane, Australia. Charls, a proud member of Actors’ Equity Association, SAG/AFTRA, holds an MFA from the NYU-School of the Performing Arts Graduate Acting Program, teaches and continues to study Black History, other Movement disciplines, as well as Shakespeare’s Text, Rhetoric and Sonnets.
Mark David Kaplan is the recipient of three Joseph Jefferson Awards for his work in Les Misérables, Ragtime and Forbidden Broadway, the latter with which he has toured internationally and performed off-Broadway. Other credits include The Mystery of Love and Sex (Writers Theatre), Mary Zimmerman’s Wonderful Town (Goodman), Little Shop of Horrors (American Blues), Hairspray (Syracuse Stage), Amadeus (Indiana Rep), We Three Lizas (About Face Theatre), The 25th Annual Putnam County Spelling Bee (James Lapine, dir.), Man of La Mancha (Montana Shakespeare in the Parks), and countless premieres with Chicago Shakespeare, Marriott and Skylight Theatres. Mark spent 5+ years in the National Tour of The Lion King. As a proud member of Actors’ Equity since 1986, Mark has served as a National Councilor in the union, and presently sits on the Central Regional Board.
Bridget McDonough (Music Theater Works, General Manager, Retired) has been employed in arts management since graduating from Northwestern University in 1978. In 1980 she co-founded Music Theater Works with Philip Kraus and others. She holds membership in the Illinois Arts Alliance, is past president of the Rotary Club of Evanston, and served on the boards of the Evanston Convention and Visitors’ Bureau, Evanston Chamber of Commerce, the National Alliance for Musical Theatre, Around the Coyote, as well as the School of Communication Alumni Board at Northwestern University and the tourism committee of Chicago’s North Shore Convention and Visitors’ Bureau. She is currently on the board of the North Shore International Network, and is a member and former treasurer of the Musicians Club of Women. She served as an international judge at the Second Vladimir Kurochkin International Competition of Young Artists of Operetta and Musicals in Yekaterinburg, Russia, and VIBE (Vienna International Ballet Experience) in Missoula, Montana. She was honored by the Evanston Chamber of Commerce with their 2009 Public Service/Nonprofit Person of the Year Award. Bridget retired from Music Theater Works at the end of the 2019 season.
Doug MacKechnie, after earning a BS and MBA from Rensselaer Polytechnic Institute, spent more than 20 years in business analysis, software support, project management, and data analysis – all while appearing on Chicagoland stages and (a very few) national TV screens: he also received an MFA in 1995 from The Theatre School at DePaul University. He left IBM a few years ago (safety net provided by his amazing and amazingly supportive wife, Linda) to pursue acting full time and make more time for volunteer work. After serving 8 years on the Central Regional Board of Actors’ Equity Association, he was just elected to the National Council of Actors’ Equity, is proud to be a recent addition to the board of Season of Concern, and is grateful for the opportunity to give back and pay forward.
Joan Mazzonelli has produced, directed, and designed for the theater in Chicago, Los Angeles and New York City. She has written Border Crossing, a short play, with Marianne Kallen; the musicals Reasonable Terms with Marianne Kallen and Karena Mendoza; Bottom’s Dream with James L. Kurtz, an adaptation of All in the Laundry by Fred Rogers of Mr. Rogers Neighborhood; and the operas High Fidelity and The Proposal with Philip Seward. She has happily served in leadership roles with City Lit Theater, ShPIel Performing Identity, Griffin Theatre, Midwest New Musicals at Light Opera Works (now Music Theatre Works), Athenaeum Theatre, Theatre Building Chicago, New Tuners Theatre, Illinois Theatre Association, National Alliance for Musical Theatre, Chicago Dance and Music Alliance, Child’s Play Touring Theatre, League of Chicago Theatres, Season of Concern, On Stage Productions, Opera Shop at the Vineyard Theatre, and National Shakespeare Company. She is a member of the Dramatists Guild. She has taught as an adjunct instructor at Columbia College Chicago and lectured at DePaul University, Fordham University and Roosevelt University.
Marcelle McVay most recently was Head of the Theatre Management Program at The Theatre School of DePaul University. Prior to that, she worked with Victory Gardens Theater from its inception in 1974 as Business Manager, Development Director and Managing Director until her retirement in 2009. She grew the theater’s budget to the $3 million level and provided leadership during the $11.8 million capital campaign to purchase and renovate the Biograph Theater as the theater’s mainstage home. During her tenure and partnership with Artistic Director Dennis Zacek, Victory Gardens promoted diversity and inclusion among Chicago artists and audiences and produced over 150 world premieres. Awards include the Lifetime Achievement Award from The League of Chicago Theaters and, on behalf of Victory Gardens Theater, the 2001 Regional Theatre Tony Award which McVay, Zacek and Associate Artistic Director Sandy Shinner accepted, Actors’ Equity ‘s Rosetta Lenoire Award, the Columbia College Entrepreneurship Award and the Lawyers for the Creative Arts Distinguished Service to the Arts Award.
Jane Nicholl Sahlins was Born and educated in the UK, her early career was with Granada TV. After moving to New York in l964, she continued her work in TV with Granada TV, the BBC and CBS News where she worked on both documentaries and 60 MINUTES.
After moving to Chicago she continued to work with CBS News and studied photography at Columbia College. She became active in local theatre as a founding member of the Boards of Victory Gardens Theatre, Wisdom Bridge Theatre and the Academy Festival Theatre in Lake Forest. In l981 she produced and co-directed THE WOMEN at Columbia College and co-presented NICHOLAS NICKLEBY at the Blackstone Theatre.
In l984 she co-founded and was Executive Director of the International Theatre Festival of Chicago – an organization that produced five Festivals over a period of ten years and brought theatre companies from all over the world to Chicago.
She is the recipient of several awards including a special Joseph Jefferson Award, YMCA Outstanding Achievement Award, and in 2008 she was made a Living Landmark by Landmarks Illinois for her contribution to Chicago’s cultural life.
She has served as a panelist for the Illinois Arts Council, a site evaluator and panelist for the National Endowment for the Arts, and a consultant to various small theatre companies. As a photographer she was part of a group photography show at the Bette Cerf Hill Gallery in the Spring of 2007 and at the Hyde Park Art Centre in December 2009.
Steve Scott was for 30 years Producer of Goodman Theatre, where he is currently an Artistic Associate. During his 45-year career as a director Scott has staged hundreds of productions for theaters in Chicago (for Goodman, Northlight, Porchlight, The Lyric Opera Center and many others), regionally, nationally and internationally. He is the Chair of the Artistic Committee at Eclipse Theatre (where he has been an ensemble member for more than 20 years) and a member of Redtwist Theatre Company. His productions have received six Jeff nominations and an After Dark Award. For his contributions to the Chicago theater community Scott has received a special Jeff Award and the League of Chicago Theatre’s Lifetime Achievement Award. He has been a Season of Concern executive committee member for more than 15 years.
Leslie Shook worked as the theatre manager for The Theatre School from 1982 – 2018 and served as founding head of the BFA Theatre Management program in the Theatre Studies department from 1990-2010. She was responsible for front-of-house operations, educational outreach, subscriber services, access services, rental contracts, and developing audiences of more than 35,000 people at DePaul’s Merle Reskin Theatre each season for Chicago Playworks and The Theatre School Showcase Series. She was a member of the League of Chicago Theatres, where she chaired the Access Task Force, and is a member of Arts Alliance Illinois, Illinois Alliance for Arts Education, Theatre Communications Group, and DePaul University’s Faculty/Staff Scholarship Committee.
Leslie serves on the board of directors of Season of Concern, the Chicago theatre community’s fund for providing direct care for people living with AIDS and HIV and the Malcolm Ewen Emergency Fund, where she previously chaired the Board Governance Committee. She is on the Advisory Committee for DePaul’s Entrepreneurship Program in the Driehaus School of Business. She was on the leadership council for Bodies of Work, now part of the University of Illinois at Chicago, and the 2006 Chicago Festival of Disability Arts and Culture. In 2007, she was nominated for the Deaf Illinois Award as Best Hearing Advocate. Since 2002, she participated in National Disability Mentoring Day, an annual event sponsored by the City of Chicago Mayor’s Office for People with Disabilities. She has been a volunteer with the NAMES Project and served on the host committee for “Chefs and the City,” an annual benefit for Vital Bridges. In past years, she has served on the DePaul Advisory Board for Students with Disabilities, DART/DePaul University AIDS/HIV Resource Team, and Chicago International Film Festival Black Perspectives committee.
In March 2002, Leslie sponsored the first theatre management intensive trip to New York City for Theatre School students and continued this initiative in 2004 and in 2007. Leslie studies voice with Mark Elliott at The Theatre School and was a member of the DePaul University Community Chorus for four years.
Malkia Stampley is an actor, stage director, arts advocate, teaching artist, arts consultant and producer. Born and raised in Milwaukee, Wisconsin, Malkia attended Marquette University where she studied theater arts and was a Resident Artist at Skylight Music Theater and Acting Intern at Milwaukee Repertory Theater. She is an alum of Broadway for Racial Justice’s Casting Directive Fellowship (BFRJ) and Theater Producers of Color (TPOC) Producing Program. She is Goodman Theatre’s BOLD Artistic Producer and freelance director and actor in the Chicago area. Malkia is also an occasional consultant for ALJP Consulting, an arts and culture search firm.
Malkia co-founded Bronzeville Arts Ensemble in 2013 to address the lack of diversity in Wisconsin Theater, serving as Producing Artistic Director for three years. Her directorial debut, with Black Arts MKE, a modern conceptualized BLACK NATIVITY by Langston Hughes, at Marcus Center for the Performing Arts in 2016, continues to be an annual Milwaukee holiday favorite after three years under her direction. In 2020, Malkia co-founded the Milwaukee Black Theater Festival as a response to the economic, social and racial challenges following the murder of George Floyd, wanting to find a long lasting multi-venue platform dedicated to amplifying Black voices through theater in the Midwest and served as the founding Artistic Producer.
Theater directing credits include TimeLine, Shattered Globe, Raven Theatre, Black Arts MKE, First Stage, Skylight Music Theater, American Players Theatre, Milwaukee Jewish Community Center, Milwaukee Repertory Theater, Chicago Shakespeare, Milwaukee Black Theater Festival, Farmers Alley Theatre and Milwaukee Fringe Festival. Malkia co-authored LINES which premiered at Theatre LILA in 2018. Favorite producing credits include Goodman’s CLYDE’S, THE CHERRY ORCHARD, GOODNIGHT OSCAR (world premier), GEM OF THE OCEAN, NOTEBOOKS OF LEONARDO DA VINCI. Malkia’s stage performance credits include Bronzeville Art Ensemble, Children’s Theater of Madison, First Stage, Forward Theater, Milwaukee Chamber, St. Louis Black Repertory Theater, Manhattan Theater Project, Congo Square, Court Theatre, Milwaukee Repertory Theater, Cincinnati Playhouse, Next Act, Optimist Theatre, Skylight Music, Theatre LILA, Renaissance Theatreworks, and a slew of independent projects. She performed in two international touring productions of “Disney: On Classic” in Japan and Taiwan. TV credits include 61st Street, Shameless, Work in Progress, The Chi, Chicago PD, Chicago Med. Films include Native Son, Beats, Small Town Wisconsin, Killing Eleanor and several short films by independent filmmakers with an extensive voiceover career. Malkia has been a guest instructor for UW-Osh Kosh and Lawrence University, keynote speaker and in partnership with multiple community organizations continuing her arts advocacy work. Malkia is a proud member of Stage Directors and Choreographers Society, Actors Equity Association and Screen Actors Guild (SAG-AFTRA). She is married to actor, Chike Johnson, and the mother to three wonderful humans who are also emerging artists in ballet, music and theater.
Richard Turner retired after 13 years as Manager of Corporate Contributions for Peoples Gas and North Shore Gas. Previously he had been with Lyric Opera of Chicago and WTTW/Channel 11, The Chicago Community Trust, and with Funders Concerned About AIDS (where he was a founding member) as national executive director. He is past national president of the Communications Network in Philanthropy, and a former member of the NAMES Project AIDS Memorial Quilt national board. He is former board chair of Chicago Academy for the Arts and Center on Halsted, and served on the boards of Northwestern University Alumni Association, Human Rights Campaign, ACLU Illinois, Donors Forum of Chicago, Hubbard Street Dance Chicago and Dance for Life. He was a member of the inaugural class in the City of Chicago’s Gay and Lesbian Hall of Fame and was named Person of the Year by the Corporate Responsibility Group of Chicago. He is a graduate of Northwestern University and has a master’s degree from Arizona State University.